
“Imperial expositions held in fin-de-siècle London, Paris and Berlin were knots in a world wide web. Conceptualizing expositions as meta-media, Fleeting Cities constitutes a transnational and transdisciplinary investigation into how modernity was created and displayed, consumed and disputed in the European metropolis around 1900.” ~Amazon description for Fleeting Cities: Imperial Expositions in Fin-de-Siecle Europe.
I look forward to this book (coming out in August, 2010). A review should be forthcoming…
(fuckyeahvictorians:my-ear-trumpet:turnofthecentury)
A peacock-color-saturated image by Russian symbolist artist Mikhail Vrubel ~Morning, 1897. So very fin-de-siecle!

(via:thehistoryprofessor:vintagecottagefrench)
Art Nouveau staircase of the Tassel House in Brussels by the incomparable Baron Victor Horta. You can visit his private home here.

Women cyclists, c. 1900.
An interesting tidbit: From the expressions of the two boys in the background, it appears that women cyclists were not a common sight in this particular town! This photograph was most likely taken either in Northern Germany or in The Netherlands.
(via: thehistoryprofessor: historiful)
Alphonse Mucha
From portfolio titled “Le Pater” dated 1899.
“Le Pater, consisted of a series of seven drawings. The seven verses of the Lord’s prayer are presented with illustrations by Mucha.”
(via MONSTER BRAINS: trixietreats: my-ear-trumpet)
