What is important, then, is not that the critic should possess a correct abstract definition of beauty for the intellect, but a certain kind of temperament, the power of being deeply moved by the presence of beautiful objects.

This is striking example of one of the Beggarstaff Brother’s poster designs from 1895. The Beggarstaffs were comprised of British illustrator Sir William Nicholson and graphic artist James Pryde. You can see more of their work in the book, The Beggarstaff Posters: The Work of James Pryde and William Nicholson.
![projectgutenberg:
Pan stalked into the library and choosing, cat-like, the one spot he should have kept away from, curled up on a handsome book that was lying open on the table and forgot his troubles in sleep.
- Elizabeth Bonsall (illustrator) and Mabel Humphrey, The Book of the Cat (1903) [full text]](http://25.media.tumblr.com/tumblr_l0x0umX16w1qamjklo1_400.jpg)
Pan stalked into the library and choosing, cat-like, the one spot he should have kept away from, curled up on a handsome book that was lying open on the table and forgot his troubles in sleep.
- Elizabeth Bonsall (illustrator) and Mabel Humphrey, The Book of the Cat (1903) [full text]

Another book to add to the must-read list: The Banquet Years: The Origins of the Avant-Garde in France - 1885 to World War I.
(fuckyeahvictorians:my-ear-trumpet:turnofthecentury)
A peacock-color-saturated image by Russian symbolist artist Mikhail Vrubel ~Morning, 1897. So very fin-de-siecle!

The front cover of “Our Village” by Miss Mitford; it is a dark greenish colour with gold flowers and gilt lettering.
(via: fuckyeahvictorians:yama-bato)

The Yellow Book, the periodical that famously featured Aubrey Beardsley as art editor, is now available full-text online at archive.org. Enjoy!
